Radio Stridentia
by Daniele Brusaschetto
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€5 EUR or more
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Compact Disc (CD) + Digital AlbumIn digipack
Published by Bosco rec
Includes unlimited streaming of Radio Stridentia via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 days€12 EUR
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Full Digital Discography
Get all 20 Daniele Brusaschetto releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Bruise A Shadow, Burnout II, Flying Stag, Demo '17, Radio Stridentia, Burnout (August Sessions), Rapida E Indolore, Cielo Inchiostro, and 12 more.
Purchasable with gift card€47.50 EUR or more (50% OFF)
1. |
Revenge Is A Bliss
04:23
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i giorni corrono veloci
e sono lenti
caldi
freddi
tempeste
e poi risate
solito rotolare del tempo sulle dita delle mani
una macina di pietra
con lentezza gira e ci comprime le ossa e il cuore
magre soddisfazioni
... pelle e ossa
scheletriche ambizioni
frattaglie di sentimenti
niente
io credo nel potere terapeutico della vendetta
tanto sangue a terra
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the days go by fast
and they are slow
hot
cold
storms
and then laughter
the usual rolling of time on hand's fingers
a stone grinder
spins slowly and compresses bones and heart
meager satisfactions
...skin and bones
skeleton ambitions
offals of feelings
nothing
I believe in the therapeutical powers of revenge
a lot of blood on the ground
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2. |
Gnawed The Bone
04:30
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and then get out without being recognized
with a new shiny skin
waiting for a sunny tomorrow
with a light breeze
sailing in the direction of a pure white landscape
anticipating the alarm clock in the morning
with my feet off the bed, breathing deeply
small episodes determine the overall picture
simple, fragile, often indigestible
but honest and intoxicating and cumbersome
life.
sailing in the direction of a pure white landscape
anticipating the alarm clock in the morning
with my feet off the bed, breathing deeply
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3. |
Così Come La Pioggia
04:29
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spazzole a motore…
quante volte ho visto i tergicristalli muoversi di fronte a me
cancellare gocce d’acqua ad ogni loro movimento
una fantastica serata di metà luglio
stranamente fresca
il buio della notte si burla dei fari della città
.. peccato il mal di testa..
aggrapparsi disperatamente ai propri ricordi più significativi
sapendo che tutto scivola via sotto il peso della forza di gravità
così come la pioggia
---------------------------------------------------------------------
just like the rain
brushes with an engine...
so many times have I seen windshield wipers move in front of me
deleting drops of water with each and every movement
an amazing mid july evening
strangely cool
the darkness of night makes fun of the lights of the city
.. too bad for the headache..
desperately clinging on to one's most significative memories
knowing that everything slides away under the weight of gravity
just like the rain
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4. |
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robots dance in bizarre cadence
moving with machine-like precision
to weird, clanking tunes
they said:
we do not welcome strangers in the rusted eternity of god
but enter..
knowing of course, that you shall never leave again...
all the sand in all the seas, it's all in place,
it's all laid out and as we speak it's going down
the wind is so cool, but not chilly
it feels so good
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5. |
Seems So Long Ago, Nancy
04:09
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6. |
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sedie verdi in plastica
pareti giallo acido
ore 9 e 36 del mattino
persone parlano tra loro
altre, in silenzio, cercano di uccidere il tempo
con telefonini, carta e inchiostro…
oltre la finestra c’è un enorme palazzo
sotto, auto parcheggiate e fiumi di cemento
in alto, un cielo coperto di nuvole
siamo in inverno e tutto procede come sempre
oltre la finestra c’è un enorme palazzo
sotto, auto parcheggiate e fiumi di cemento
---------------------------------------------------------------------
the chain of survival
green plastic chairs
acid yellow walls
9.36am
people talk amongst themselves
other people, silently, try to kill time
with cell phones, paper and ink...
beyond the window there's a huge building
below, parked cars and rivers of cement
above, a sky covered in clouds
we're in the winter and everything proceeds as always
beyond the window there's a huge building
below, parked cars and rivers of cement
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7. |
Un Mondo Inventato
04:15
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8. |
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far incastrare i nostri corpi tra loro
essere innamorati come due bambini
inciampare sui propri piedi
inciampare sulle proprie scelte
vedo un gatto su di un balcone
bollente di primavera
lungo disteso
felice
cieli sereni, sgombri di nuvole
azzurro terso
orizzonti incolmabili
gioia a perdita d’occhio
---------------------------------------------------------------------
to stumble on one's own feet
to embed our own bodies
to be in love like two children
to stumble on one's own feet
to stumble on one's own choices
I see a cat on a balcony
boiling in the spring
sprawled out
happy
clear skies, cloudless
clear light blue
unbridgeable horizons
happiness as far as the eye can see
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about
Guests:
Bruno Dorella (drums on tracks 2 and 3)
Francesco Lurgo (e-bow guitar and synthesizer on track 3)
Marco Milanesio (synthesizer on tracks 7 and 8)
All songs written by D.B., except
“Seems So Long Ago, Nancy” written by Leonard Cohen
Performed / recorded / mixed by D.B.
Mastered by Marc Urselli at East Side Sound (New York)
Graphics and layout by D.B.
Booking and press office: Kollaps
Published by Bosco rec
2016
www.danielebrusaschetto.net
www.facebook.com/danielebrusaschetto
danielebrusaschetto.bandcamp.com
www.youtube.com/user/boscorec
soundcloud.com/danielebrusaschetto
en.wikipedia.org/wiki/Daniele_Brusaschetto
Bruno Dorella (drums on tracks 2 and 3)
Francesco Lurgo (e-bow guitar and synthesizer on track 3)
Marco Milanesio (synthesizer on tracks 7 and 8)
All songs written by D.B., except
“Seems So Long Ago, Nancy” written by Leonard Cohen
Performed / recorded / mixed by D.B.
Mastered by Marc Urselli at East Side Sound (New York)
Graphics and layout by D.B.
Booking and press office: Kollaps
Published by Bosco rec
2016
www.danielebrusaschetto.net
www.facebook.com/danielebrusaschetto
danielebrusaschetto.bandcamp.com
www.youtube.com/user/boscorec
soundcloud.com/danielebrusaschetto
en.wikipedia.org/wiki/Daniele_Brusaschetto
credits
released February 20, 2016
------------------------------
Interview on Radikaliai.lt
DANIELE BRUSASCHETTO: "Silence is the most beautiful magic. An almost unattainable rarity in nature"
Daniele Brusaschetto is a veteran of Italian and international music underground. His musical expression is the sum of two artistic souls: the radicalism of extreme music, from the death metal of his early bands, to industrial and harsh noise, through the most experimental side of ambient electronics, marries the intimate, whispered dimension of a warped and oblique songwriting, with lyrics (often in Italian) that give a twisted sight on everyday’s most apparently insignificant objects and actions. Across the millennium change Daniele Brusaschetto has played live in several tours in Europe and U.S.A., accompanied on stage by Bruno Dorella, one of the most recognized characters of non-conventional Italian music in the world, and Marco Schiavo of Larsen, and sharing the stage with artists such as Oxbow, Ulan Bator, OvO, Marlene Kuntz, Uzeda, Bugo, Larsen, Paolo Spaccamonti, Sikhara and many others. Year 2016 sees the release of “Radio Stridentia”, the 12th official release under the name Daniele Brusaschetto, not counting the several side-projects. “Radio Stridentia”, likewise the majority of his releases, is available on Bosco Rec, a label founded by Brusaschetto himself in 2003 after releasing some of his works for labels such as Bar La Muerte, RRR, Blossoming Noise, Radon e Snowdonia. [danielebrusaschetto.net] Here's an interview with this wonderful musician (2016 03 22).
What collaborations were/are the most interesting and important to You and why?
- Collaborations have not been that many .. :-) Each of them has had its way, its importance, its time, its wealth of memories and anecdotes. There isn't really one in particular that I carry in my heart.
Can You tell me, in short the main ideas are behind Your music? Could You name Your favorite Your compositions / albums / collaborations? What about the new album?
- I make music because instinct led me to move fingers on string instruments and on various types of potentiometers, there is no particular idea or intention behind any of it... I could say that it is my "logbook".. Actually it is an addiction I can't get rid of.
My favorite album among those I produced ... Maybe "Circonvoluzioni", the first one I recorded and mixed entirely by himself ..
The new album, "Radio Strientia", is one of the lesser dark ones that I produced, released on the 20th of February. So far the reviews I've read are very positive .. And I'm very happy for that!

The album is really very good. Seems So Long Ago, Nancy cover of Leonard Cohen seems so dark and magic. You play with sounds, but, to paraphrase Death In June, what ends, when there‘s no sound?
- Silence is the most beautiful magic. An almost unattainable rarity in nature.
What is and what is not a Sound Art?
- This question can be unequivocally answered by the laws of the record/music/art market, as that is the most reliable needle of the scale.
What do You think about relations between the old art and computer art? Are they compatible?
- I think that beauty lies in the blend of the two. For instance to record a classical guitar with a PC and then go treat it to bring out a sound that is completely different, unrecognizable, inedited.
What do You think about thousands of neofolk/industrial/ambient/tribal/electroacoustic/avangarde etc. bands/projects? Is it a kind of trend, o just a tendency forwards better music?
- To tell you the truth, I do not know much. Over the years my interest in discovering new artists/bands diminished more and more .. It happens that I occasionally hear songs that strike a chord with me and attract me, but once I'm done listening I turn the page and move on. However, all those who strive to create personal music have all my respect.
What do You know about Lithuania? What Lithuanian and foreign musicians do You value most?
- Unfortunately I don't know much about Lithuania. I know it's a country in full growth. I've never been there, I'd like to visit it one day .. Years ago I was in contact with a musician called Ramūnas Jaras, from Kaunas, but then we lost touch.. There are really lots of interesting musicians in the world, you can discover dozens of them every day just browsing the social networks.
What inspires You most?
- The unreachable mysteries of life...
What are You working on right now?
- I'm looking for live gigs.. I'm juggling various new collaborations, but they require time and relaxation ..
What does the name of Your band mean to You?
- Daniele Brusaschetto is just my first and last name. I chose to use it as is to have no chance of escape, a 100% connection between the man and the artist.
Thank You.
------------------------------
Interview on Radikaliai.lt
DANIELE BRUSASCHETTO: "Silence is the most beautiful magic. An almost unattainable rarity in nature"
Daniele Brusaschetto is a veteran of Italian and international music underground. His musical expression is the sum of two artistic souls: the radicalism of extreme music, from the death metal of his early bands, to industrial and harsh noise, through the most experimental side of ambient electronics, marries the intimate, whispered dimension of a warped and oblique songwriting, with lyrics (often in Italian) that give a twisted sight on everyday’s most apparently insignificant objects and actions. Across the millennium change Daniele Brusaschetto has played live in several tours in Europe and U.S.A., accompanied on stage by Bruno Dorella, one of the most recognized characters of non-conventional Italian music in the world, and Marco Schiavo of Larsen, and sharing the stage with artists such as Oxbow, Ulan Bator, OvO, Marlene Kuntz, Uzeda, Bugo, Larsen, Paolo Spaccamonti, Sikhara and many others. Year 2016 sees the release of “Radio Stridentia”, the 12th official release under the name Daniele Brusaschetto, not counting the several side-projects. “Radio Stridentia”, likewise the majority of his releases, is available on Bosco Rec, a label founded by Brusaschetto himself in 2003 after releasing some of his works for labels such as Bar La Muerte, RRR, Blossoming Noise, Radon e Snowdonia. [danielebrusaschetto.net] Here's an interview with this wonderful musician (2016 03 22).
What collaborations were/are the most interesting and important to You and why?
- Collaborations have not been that many .. :-) Each of them has had its way, its importance, its time, its wealth of memories and anecdotes. There isn't really one in particular that I carry in my heart.
Can You tell me, in short the main ideas are behind Your music? Could You name Your favorite Your compositions / albums / collaborations? What about the new album?
- I make music because instinct led me to move fingers on string instruments and on various types of potentiometers, there is no particular idea or intention behind any of it... I could say that it is my "logbook".. Actually it is an addiction I can't get rid of.
My favorite album among those I produced ... Maybe "Circonvoluzioni", the first one I recorded and mixed entirely by himself ..
The new album, "Radio Strientia", is one of the lesser dark ones that I produced, released on the 20th of February. So far the reviews I've read are very positive .. And I'm very happy for that!

The album is really very good. Seems So Long Ago, Nancy cover of Leonard Cohen seems so dark and magic. You play with sounds, but, to paraphrase Death In June, what ends, when there‘s no sound?
- Silence is the most beautiful magic. An almost unattainable rarity in nature.
What is and what is not a Sound Art?
- This question can be unequivocally answered by the laws of the record/music/art market, as that is the most reliable needle of the scale.
What do You think about relations between the old art and computer art? Are they compatible?
- I think that beauty lies in the blend of the two. For instance to record a classical guitar with a PC and then go treat it to bring out a sound that is completely different, unrecognizable, inedited.
What do You think about thousands of neofolk/industrial/ambient/tribal/electroacoustic/avangarde etc. bands/projects? Is it a kind of trend, o just a tendency forwards better music?
- To tell you the truth, I do not know much. Over the years my interest in discovering new artists/bands diminished more and more .. It happens that I occasionally hear songs that strike a chord with me and attract me, but once I'm done listening I turn the page and move on. However, all those who strive to create personal music have all my respect.
What do You know about Lithuania? What Lithuanian and foreign musicians do You value most?
- Unfortunately I don't know much about Lithuania. I know it's a country in full growth. I've never been there, I'd like to visit it one day .. Years ago I was in contact with a musician called Ramūnas Jaras, from Kaunas, but then we lost touch.. There are really lots of interesting musicians in the world, you can discover dozens of them every day just browsing the social networks.
What inspires You most?
- The unreachable mysteries of life...
What are You working on right now?
- I'm looking for live gigs.. I'm juggling various new collaborations, but they require time and relaxation ..
What does the name of Your band mean to You?
- Daniele Brusaschetto is just my first and last name. I chose to use it as is to have no chance of escape, a 100% connection between the man and the artist.
Thank You.
license
all rights reserved
tags
about
Daniele Brusaschetto Turin, Italy
Extreme music without boundaries since the mid-90s
discography
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Oct 2023 -
Nov 2020 -
Sep 2019 -
Feb 2017
contact / help
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